Thursday, May 23, 2013

RumBQ Street Party by Telegraph Hill Park

This Bank Holiday Sunday 26 May 2013 sees a free street party in Arbuthnot Road SE14, next to Telegraph Hill Lower Park. RumBQ will  feature the Unit 137 reggae sound system, with DJs including:

- Hylu & Jago
- DJ Snuff
- Ed West
- Decks Ray Spex
- Lionbeat

They say: 'This is a FAMILY FRIENDLY event, please bring your children, make the scene nice. There will be food and drink on sale. Please support our food and bar, as that's how we're backing this event. All the artists are playing for free. It's a family affair, a community happening. LOVE, every time. Some HEAT this time round please Missa British Wedda. All prayers for sunshine appreciated and no doubt noted'.

The event is scheduled to run from 1 pm to 5 pm (facebook event details here).

An atttempt to stage something similar in March had to be cancelled due to snow, and relocated at short notice to the Golden Anchor pub.






Wednesday, May 22, 2013

History Corner: John Evelyn of Deptford

John Evelyn (1620-1706) has cropped up a few times for me in the last week. The seventeenth century diarist, writer, gardener and government official is remembered in the names of the local Evelyn Street and Lewisham's Evelyn Ward, among other places.

Portrait of Evelyn by Robert Walker
Last Saturday I gave a history tour of the Deptford riverfront to New Cross Commoners, ending up with a picnic on the beach. We looked at the Convoys Wharf site, and I mentioned that part of it covered the site of Sayes Court - Evelyn's home from 1652-1690.

While preparing for the walk, I had been reading a lot of Peter Linebaugh. The historian's various works provide a good context for understanding Detpford history. 'The London Hanged' in particular includes lots of information about the working practices on the Royal Dockyard in the 18th century; 'The Many Headed Hydra' deals with maritime radicalism and the circulation of sailors, pirates and slaves across the Atlantic; and 'The Magna Carta Manifesto' deals with commons and enclosure through the lens of the Forest Charter sections of the Magna Carta which sought to safeguard the common rights of access to woodland  from Royal encroachment.

In the latter, Linebaugh writes of Evelyn as an apologist for enclosure, seeking to put the knowledge of trees at the service of empire:

'English forests were cut down at such a rate that toward the end of the century John Evelyn despaired of the national security, inasmuch as the navy provided the island’s “wooden walls.” The expansion of the British empire was by means of wood products and it was to the end of acquiring wood products. Restoration diarist and gentleman environmentalist John Evelyn (1620–1706) inherited a fortune that his grandfather had accumulated under James I and Charles I through his royal monopoly on saltpeter, essential ingredient (with sulfur and charcoal) to gunpowder. The “saltpeter man” forcibly ransacked stables, barns, dovecots, pigeon houses in search of potassium nitrate. The grandson’s project was to make an inventory of English trees in terms of their use values, and to convey this knowledge from commoners to commercial, scientific, and military markets. Not once does Evelyn mention the Forest Charter. Enclosed woods thrive better than unfenced forest. He wrote disdainfully of “satisfying a few clamorous, and rude Commoners.” He could not escape a millennium of custom, but he could bury it within Latin and Greek obscurantism. He concluded by quoting a Latin proverb of Erasmus, who was paraphrasing the Greek poet Theocritus, Praesente Quercu ligna quivis colligit, “In the presence of an oak every- one collects firewood.” Referring to An Act for the Punishment of Unlawful Cutting or Stealing or Spoiling of Wood (15 Charles II c.2), he coolly noted that ancient law punished the “beheading” of a tree by the forfeiture of a hand'.

Others have seen Evelyn more positively as a proto-environmentalist, writing against London pollution and for the preservation of trees. One strand of the campaign against current development plans for the Convoys Wharf site is the call to acknowledge or even recreate Evelyn's historic garden there (see Sayes Court - London's Lost Garden for lots of interesting historical material).

Evelyn's Cabinet

As reported in the Guardian at the weekend (18 May), a cabinet of Evelyn's features (along with the Horniman Museum's walrus) in a new exhibition in Margate. Curator Brian Dillon writes

Consider this curious item of furniture, which belongs to the Geffrye Museum in London and appears at Turner Contemporary, Margate, as part of Curiosity: Art and the Pleasures of Knowing. The object in question, at once austere and elaborate, is a cabinet of intricately carved ebony that stands on eight slender legs and opens to reveal a prismatic array of interior drawers and doors, rendered in fruitwood and ivory. The thing is said to have been made by the renowned Dutch craftsman Pierre Golle, though we cannot be sure. What's certain is that it was bought in Paris in 1652 by Mary Evelyn: wife of the polymath John Evelyn, who used it to store prints and small items. The empty cabinet is a reminder of the capaciousness of Evelyn's intellect and imagination: by the time he died in 1706, he had completed not only half a million pages of his celebrated diary, but treatises on medicine, mathematics, air pollution and the cultivation of trees. He had even written a discourse on salads'.
Evelyn and Slavery


It can't be denied though that Evelyn had a role in the administration of slavery. A royalist during the Civil War, he was later appointed by the King as an official to the Council of Foreign Plantations in a period when plantations were expanding in America and the Caribbean on the backs of slave labour. Even in this period, there were controversies about this in the face of slave demands for freedom. In his diaries Evelyn mentions the arguments about whether slaves should be allowed to be baptised as Christians - since some argued that as Christians they should no longer be treated as slaves: 'I may not forget a resolution which his Majesty made, and had a little before entered upon it at the Council Board at Windsor or Whitehall, that the negroes in the plantations should all be baptized, exceedingly declaiming against that impiety of their masters prohibiting it, out of a mistaken opinion that they would be ipso facto free; but his Majesty persists in his resolution to have them christened'. Evelyn also mentions the attempted slave revolt in Barbados in 1692: 'there was a conspiracy among the negroes in Barbadoes to murder all heir masters, discovered by overhearing a discourse of two of the slaves, and so preventing the execution of the design' - alleged conspirators were hanged, burned alive and castrated by the authorities.

Tuesday, May 21, 2013

Save our Fire Stations

Boris Johnson's life threatening closure programme for London fire stations is still formally in the consultation phase, with The London Fire and Emergency Planning Authority (LFEPA) holding public meetings across London boroughs. Some have already happened, but several key South London events are coming up in the next week as follows:

- Lewisham, Wednesday, 22 May 7-9pm at Sydenham School, Dartmouth Road, London SE26 4RD


- Bexley, Bromley and Croydon, Thursday, 23 May 7-9pm at Bromley Central Library, High Street, Bromley BR1 1EX


- Greenwich, Wednesday 29 May 7-9pm at Lecture Theatre 315, King William Building, University of Greenwich, 30 Park Row, Greenwich, London SE10 9LS


So get along and say your piece to try and save New Cross, Downham, Southwark, Woolwich and the other stations under threat.

(h/t to Trinketization for the heads up on this).

See Red Women's Workshop: feminist posters from SE5/SE17

See Red Women's Workshop was a feminist screenprinting collective based in Walworth/Camberwell from around 1974.

According to Jess Baines: 'See Red's activities included the designing and printing of their own posters and calendars, as well as taking on design and print commissions for other organisations. See Red developed a range of feminist posters that attempted to address different issues ranging from the domestic isolation of mothers and unethical marketing by pharmaceutical giants to racism in Britain and solidarity with anti-imperialist struggles abroad. The posters were distributed internationally both from the workshop and through alternative bookshops. They also gave talks and demonstrations on screen-printing. The group varied in number; overall 25 women worked at See Red during its lifetime. After working from home in the early days, the collective progressed to renting shared space with Women in Print, at 16a Iliffe Yard, off Crampton St, London, SE17. The workshop was initially run without grant-aid, and the women contributed up to three working days a week to the workshop while earning a living elsewhere. In the early 1980s the collective was supported by funding from the Greater London Council. This facilitated a move to new premises at 90 Camberwell Road, SE5. Women in Print (an offset litho collective) moved with them but folded in 1986'. See Red closed in the early 1990s.

See Red in action at Iliffe Yard in the early 1980s

Ink Now: Posters, Collectives and Art

Recently there has been a revival of interest in the work of See Red. There was an exhibition at the Institute of Contemporary Arts last year, and next month members of the collective will be taking part in 'Ink Now: Posters, Collectives and Art', an event at London Met. 'Ink Now' will be 'An evening of presentations and discussion about how posters have been used in different radical, political, feminist, collective and community settings. By looking at specific historical moments we hope to open up a conversation about radical ideas and collective practices in the contemporary art context'.

WHEN: 6.30-8.30pm, Tuesday 4th June. Refreshments available from 6pm
WHERE: Lecture Theatre CR100, London Met University, 41-47 Commercial Road, London, E1 1LA

Suzy Mackie and Pru Stevenson, founding members of the See Red Women's Workshop Collective, which produced silkscreened feminist and community posters from c1974 up to the early 1990s, will show poster images and talk about why and how the collective was set up and the first 8 years.


Jess Baines (LSE/LCC) will be presenting her research on the history of late 20th century radical and community printing collectives and co-ops in the UK - including: poster collectives, service printers, typesetters and print resource centres. Jess is also a former Member of the See Red Womens Workshop

Dean Kenning (Kingston University and CSM) will be talking about the recent show at Portman Gallery: ‘Poster Production’ where he worked with art students from Morpeth School, Central St Martins and ReadingUniversity, and with several contemporary artists to produce posters based on different themes and according to various methods of working.

Rachael House and Jo David from artist run Space Station Sixty-Five on posters and archives in the art space, including poster-related shows such as 'Shape and Situate'. 'Rachael will also talk about her recent exhibitions 'Feminist Disco' and 'A Space of Potential' which draw on feminist cultures'

Chair: Anne Robinson (senior lecturer at London Metropolitan University and former member of See Red Womens Workshop). Admission free and all welcome, but please register at: http://inknowposters.eventbrite.com

See Red anti-National Front poster, 'Don't let racism divide us'
The photograph used was taken in the anti-NF  'Battle of Lewisham' in August 1977

Monday, May 20, 2013

Music Monday: 30 years of Band of Holy Joy

It is now 30 years since Band of Holy Joy were formed in New Cross, and they're still going strong (albeit with some big gaps along the way!).


One of their first releases was a 1984 cassette  'More Favourite Fairytales'  put out by Glasgow-based Pleasantly Surprised. The sleevenotes say:

'Holy Joy were formed in the summer of 1983 when Johny and his sister Max found a synthesiser in the cellar of the house they were living in and started messing around on it. They then brought in Brett (Test Dept's visual genius) as he had an organ and could also play various instruments. John at this time was taking photographs that had everything in common with the songs Johny and Max were writing. They persuaded him to trade in his camera for a mouth organ, tambourine and various other instruments. Test Dept then took them under their with and they played places like Manchester, Sheffield and Retford. After these performances Holy Joy decided to go into the studio then came a few more dates in London at their own club "The Stomach Pump" Situated in a crypt in Deptford and also playing with Einsturzende Neubauten.

"More Favourite Fairytales" was recorded on a four track portastudio in late winter / early spring '84 and is a follow up / progression to a previous cassette entitled "Favourite Fairytales For Juvenile Delinquents" which they consider to be more background music than anything else.Plans for the proper studio and record a 12 inch version of "Liquid Lunch" and a 7 inch of "Consumption" and one day soon M.F.F will appear properly recorded on a record. Also being talked about is a video film tentatively called "Seven Days Of Agony And Holy Joy". At present more songs are being written and recorded. They have also made some new instruments and have come up with a whole host of new sounds and noises. Ideas are also underway for some film music. All in all "Holy Joy" are a very creative and exiting conception and in my opinion you shall be hearing a lot more from them in the near future'.

Well a lot more has certainly been heard, latest from them is the third in an ongoing series of films featuring tracks from this year's return to the cassette 'City of Tales, Volume 1 and 2'. 'Empty Purse Found in Hotel Lobby' features band drummer William Lewington and Joanna Pickering.



Lots more Transpontine BoHJ

Saturday, May 18, 2013

Music at Guys


I was in  Guys Hospital last week, waiting in the ENT was pretty grim mainly because they had a TV on really loud with horse racing followed by Noel Edmonds. This where people with hearing problems were listening out for someone to call out their name! But then a guy wandered in with a guitar and announced he was going to play for half an hour - with the TV turned down - and very nice it was too.

Osamu Yano's recital was arranged by Breathe Arts Health Research, apparently part of a project looking at how music in hospitals might reduce stress. Well it worked for me, as did the doctor's treatment of my ears - no permanent hearing loss.

Thursday, May 16, 2013

Gaggle Cave


Gaggle, the twenty strong all-women alternative choir, are taking up residency later this month at the InSitu Project Space  - the Royal Albert pub's new gallery space next to the pub at 460 New Cross Cross Road.

For three weeks (May 30th - June 21s) Gaggle will be running it as 'a one of a kind concept shop, gallery and hang out place' with all kinds of performances, workshops, and activities including:

- Vocal coaching from 60’s Feminist Improvisation Group legend Maggie Nichols
- Sound engineering for girls
-  interactive performance body coaching from Scottee Scottee
- a feminist choir for boys
-  plus millinery, metal worksm raw fiid  and much more

They day 'Gaggle want you to be involved in this adventure. To learn new skills, acquire beautiful things and feel empowered. They want you in the Gaggle Cave... A summer adventure in lifestyle, craft and noise'

Thurs 30th May- LAUNCH 7pm till late
Friday 21st June - FINALE 7pm till late

Opening hours of shop:
Mon – Fri: Midday - 8pm
Sat & Sun: Midday to 11pm

To see the full list and join any workshops, visit http://www.gaggle.tv/

Gaggle have asked Women’s Aid to be Good Cause in Residence at the Cave, so you will be able to find out about Women’s Aid work and donate there and then.

Wednesday, May 15, 2013

A Grove Park Childhood

Tomorrow (Thursday) at New Cross Learning, New Cross Local History Group presents 'A Grove Park Childhood'. Pauline Payne will give an illustrated talk on growing up on the Lewisham council estate in the 1940s and 50s. 6:30 pm start.



History Corner: New Cross Gate Cutting

A fascinating tour of London Wildlife Trust's New Cross Gate Cutting/Brockley nature reserve last weekend in the company of New Cross Commoners, with volunteer warden Steve Cleall giving us an insight into the site's history and wildlife.

The reserve, situated alongside the railway line with its entrance on Vesta Road SE4, is a great slice of wild London just along the track from New Cross Gate station.  One thing that struck me was how much of what we regard as simply a natural environment is in fact the result of centuries of interaction between human beings, other species and the land.

top path through the woods

The very landscape of the railway cutting was largely dug out by hand by navvies building the route of the Croydon canal and then the railway in the nineteenth century (Karl Marx mentions the terrible working conditions of navvies on the Lewisham-Tunbridge Wells line in Capital). The woodland itself only started to grow after the Second World War, when the site stopped being used for allotments (another allotments site survives of course on the opposite bank of the railway cutting).

The Croydon railroad under construction in 1839, as seen from New Cross. In the distance on the right, workers can be seen on the site of what is now the nature reserve. Incidentally, the house on the right may be Telegraph Cottage, home of the poet Robert Browning in the 1840s.
Detail from above painting showing navvies at work, shaping the landscape. Not sure what the tower was - maybe a temporary building used to help lay out the railway.
Prior to the allotments and indeed prior to the railway, most of the site would have been used for farming. A water trough still stands in the woods which is believed to date back to that period in the 19th century.

Water trough

The soil of the site is acidic as a result of numerous fragments of red brick left over from the manufacture of bricks locally and their use in the building of the area. This favours the growth of some plants and trees.

Red brick fragments on the pathway
While centuries past the area was covered by the Great North Wood which stretched down to Croydon, the oldest tree on the site is probably only about a hundred years old - this sycamore at the furthest point on the lower path. 
The oldest tree in the nature reserve
This human impact on woodland is not new. As the historian Peter Linebaugh notes, even in the days when much of England was covered in woodland, it was extensively shaped by our ancestors: 'Old trees are the result not of the wildwood (of the Ice Age thirteen millennia earlier) but of wooded pasture. The wooded pasture is a human creation, through centuries of accumulated woodsmanship', including the coppicing and pollarding of trees to encourage more growth. As well as grazing their animals amongst the trees, people relied on wood for fuel and building materials: 'Whole towns were timberframed: the strut and beam of cottages, the curved wooden rafters, the oak benches of worship. Then wheels, handles, bowls, tables, stools, spoons, toys, and other implements were all made of wood. Wood was the source of energy'. That is why the struggle to retain common rights of access to the woods was so bitterly fought during centuries of enclosure (Peter Linebaugh, The Magna Carta Manifesto: Liberties and Commons for All, 2008).

Today keeping the New Cross Gate Cutting site as a diverse wildlife habitat also requires ongoing human effort - without it a few species would tend to dominate, particularly some of those introduced by humans from other parts of the world in the past. Volunteers meet on the second Saturday of every month to work on the site (details here), and these are also the only days when the site is open to the public. If you've never been for a wander around, you definitely should.

At a time of general pessimism about humans and the natural world, the nature reserve shows not only that 'nature' is more robust than people imagine (taking only a few decades to re-establish woodland) but that as part of nature, human beings can play a constructive role in co-creating the natural landscape.

Tuesday, May 14, 2013

There are some tights that never go out

Dress by Anna of Akleriah
'Moonbow' John McKiernan, sometime purveyor of fine coffee to the masses of SE London, has for the past few years been putting on art events in London and Kent under the umbrella of Platform 7. The latest initiative, with Russian/Czech art duo Akleriah,  is 'RE-IMAGINING LADIES TIGHTS' taking place at 10 Catford Broadway, SE6 and other local venues. They say:

'Collecting old tights and stockings, public washing, creating yarn while storytelling, a promenade photoshoot before producing something new, this project will re-imagine how women perceive these easily discarded garments. When women wear tights or stockings, how do they view themselves? How does it make them feel and how are they perceived? Do tights and stockings dictate how society is formed?

Russian women wear tights in Moscow as ‘it’s seen as trashy not to wear tights’ whereas in Gambia ‘some girls would wear fishnets - people would look at them badly thinking they are call girls’ When a Gambian woman meets a Russian woman in Catford, South London, how do they perceive each other?

Re-imagining Ladies Tights is a live conceptual art performance experience that examines the role of tights and stocking in our society. Commissioned by Lewisham Council, with support from Arts Council England, art-duo Akleriah will be collecting broken tights and stockings from across the London Borough of Lewisham, supported by Platform-7, to ask why such easily disposable attire carries so much kudos.

Part of Lewisham Council’s drive to encourage more textile recycling, this 6 week intervention in Catford will ask women to consider the wider issues and their relationship with tights and stockings. It will examine the politics that surrounds an item that appears to be essential apparel and discuss how women use tights and stockings beyond a fashion accessory while men often distinguish alternative views.

In series of female-only gatherings at ‘age UK’s’ Catford Broadway shop, the performance experience will generate stories and thoughts on the attire that has shaped female body image for over four generations. By publically displaying these stories on the walls of the old Catford Civic Centre, the project looks to unveil how women distinguish themselves and how men identify with tights and stockings.

The event begins with our collection from specially handmade recycled bags for recycling tights hanging in locations across Lewisham, including Lesoco (formally Lewisham College), Goldsmiths, age UK, Laban, Lewisham / Catford town centres. Full details on the blog and details on how to order a recycle bag for a specific location.

A public wash performance will take place on 21st May in Catford Broadway before the tights are cut into yarn on 28th May to create something completely re-imagined. Women over 18 from any background can become involved in this FREE unique explorative event and asked to donate an item to age UK to be sold in the shop or purchase an item to support the work of this important local charity.

For Akleriah, the event allows them to investigate “the image, gender politics, social and material value of women’s tights. By working with women volunteers in Catford and their personal tights’ stories, it is envisaged that a more significant social meaning, which discarded tights carry, and make their recycling problematic and challenging, will be addressed"'.

More information: http://re-imaginingtights.tumblr.com/

Monday, May 13, 2013

Music Monday: Maria Minerva

The video for Maria Minerva's new track Soulsearchin was filmed by Laid Eyes around various SE London locations in Catford (the cat feaures), Lewisham , Peckham (Rye Lane) and Brockley. The last part was seemingly shot in Aladdins Cave salvage yard on Loampit Vale SE13. At one point Maria clambers over the old Russian tank in Mandela Way off the Old Kent Road.



Maria is from Estonia, but has been making music in London since studying at Goldsmiths in New Cross.


Saturday, May 11, 2013

Support St Christophers Hospice

Five years ago my good friend Katy Watson died in St Christophers Hospice in Sydenham. A plaque on a park bench in Brockwell Park remembers her as a writer, feminist activist and mother, to which I could add many other things including DJ and Brixtonite.




In her last days, St Christophers Hospice took good care of her and her family, as it does to around 2,000 dying patients a year. The sad fact is that if you live in South London long enough it is highly likely that one of your friends or relatives will pass through there. The care is provided free of charge, but they are dependent on charity fundraising.

Katy's sister Anna and daughter Orla are doing a sponsored walk next week to raise money for the hospice. Anna says:

'Way back in 2008 my sister, Katy Watson, died of lymphoma in St Christopher's Hospice. At the time her daughter Orla was 5 and her son Joe 18 months old.

To honour Katy and to help people who need hospice care in the future, Orla and I will walk 8 miles on 19 May. I hope you can encourage us be making a donation. Last time we did it, every mile we would calculate how much we had raised - good for morale and Orla's maths!'

To help St Christophers Hospice to continue to care why not go to Anna and Orla's Just Giving page and make a donation

Katy Watson, pictured in 1997
Update from Anna, 20 May 2013: 'The walk went really well yesterday: lovely sunshine but not too hot. We managed about 2 miles per hour and only had a short break for lunch (we had to beg Orla to let us stop -- she wanted to keep going!) Great atmosphere en route and only minor aches today. Thank you all!'. Including Gift Aid, Anna & Orla have raised over £1500 through this walk.

Friday, May 10, 2013

The Animal That Therefore I Am

Local artists Cait Peterson and Wiggy Cheung have an exhibition opening next week at the House Gallery in Camberwell (70 Camberwell Church Street).  'The Animal That Therefore I Am' features animal-themed paintings, drawings, and taxidermy, and is in support of the mental health charities Rethink and Mind. The show will run from 13-29 May (closed Bank Holiday Monday 27 May), with the  private view on 11 May, 7-9 pm.


Cait is originally from Chicago and now lives in the Telegraph Hill area; she also gets extra points in my book for pursuing that noble trade of librarian. Wiggy 'loves drawing dogs and girls and that’s about it'. Both studied illustraion at Camberwell College of Arts.


'Totem' by Wiggy Cheung

Illustration from 'Tree-Sloth and Caesar' children's book
by Cait Peterson

Thursday, May 09, 2013

Dulwich Festival Fair

Lots going on at the Dulwich Festival over the next couple of weeks, including next Sunday 12th May the free Dulwich Festival Fair on Goose Green (opposite East Dulwich Tavern). SE London's premier folk promoters Goose on the Green are organising a music stage there, with line up including

- 12 noon The Dulwich Folk Choir led by Aimee Leonard

- 1pm Stuart Forester

- 2pm The No Frills Band

- 3pm The John McClean Band

Wednesday, May 08, 2013

Deptford win Three-sided Football Tournament

Well done to Deptford Three Sided Football Club for their victory in the Asger Jorn Memorial Tournament in Regents Park on Saturday. At least I think they won, on the basis that they conceded the least goals in a rotation of teams that also included New Cross Irregulars, Polish team Polscy Budowlancy and two teams from Philosophy Football. There's a full report in The Guardian.

Asger Jorn was the Danish situationist artist who first conceived of the three-sided game, introduced into Britain by Fabian Tompsett and collaborators in the 1990s.  As reported here previously, the Association of Autonomous Astronauts played the game at One Tree Hill, Kennington Park, Hyde Park and other locations in the late 1990s.

Regular matches are held in Deptford Park, all are welcome to take park. Check out the Deptford Three Sided Football Club website for more information or email them at info@3sf.org.uk

Three-sided Football Pitch

Tuesday, May 07, 2013

May Day 2013 - what happened?

The Shard shines through the May Day blossom in St Johns Churchyard SE1

So how was May Day and the holiday weekend for you? On May Day itself the Fowlers Troop made their way through Deptford and Greenwich with the Jack in the Green - pictured here outside the Rose and Crown in Greenwich.

Photo from Diana Hale's blog, which includes a detailed report and lots of great photos.

On Saturday May 4th, around 100 people took part in the Croydon Trades Union Council May Day march in the town centre, headed by a pipe band.

Front of Croydon May Day march - photo from Sangha Kommune
I gather there was also a Workers Liberty  protest on Saturday outside the Lewisham branch of Primark, one of a number by different groups around the country in solidarity with the victims of the Rana Plaza factory fire in Bangladesh. At least 500 people died in the garmant factory complex which supplies Primark, Mango and other UK high street stroes.

Monday, May 06, 2013

The origins of the May Day bank holiday

Enjoying the May Day bank holiday?  A resolution calling for two new public holidays a year, on May Day and New Year's Day, was passed by the Trades Union Congress in 1970 and in 1975 the Labour Government declared that from 1978, May Day (or the Monday after it) would be a bank holiday. So this is the 35th May Day bank holiday. But the significance of May Day for the workers movement goes back to the 1880s. Here's another extract fom my pamphlet 'May Day in South London: a history', which you can now download for free here:

'For the early workers movement internationally a key demand was for a reduction in the length of the working day. The 1884 Chicago congress of the Federation of Organized and Labor Unions (which later become the American Federation of Labor) declared that from May 1st 1886, it would impose an eight-hour working day in the United States by industrial action... the events of Saturday 1 May 1886 and the succeeding days are well documented. The eight hour day strike went ahead in parts of the USA, and by May 3 1886 perhaps 750,000 workers had struck or demonstrated. In Chicago police killed two people when they opened fire on Monday 3 May during clashes outside the McCormack Reaper Works, where workers had been on strike since February. The following day a policeman was killed by a bomb thrown at a protest meeting in Haymarket square in the city.

Eight anarchists who had been in the forefront of the 8-hour-day agitation in Chicago were convicted of murder, of whom seven were sentenced to death. There was an international outcry against the trial and the sentences. In London those who spoke out included William Morris, Annie Besant (who had lived in Colby Road, Upper Norwood), George Bernard Shaw, Peter Kropotkin (then living at 6 Crescent Road, Bromley), Oscar Wilde, Edward Carpenter, Ford Madox Brown, Walter Crane, E. Nesbit (then living in Lewisham), Eleanor Marx and Edward Aveling (who later lived in Sydenham). A meeting on the case was held at the Peckham Reform Club (Freedom, November 1897). Nevertheless, four of the accused were hanged. The deaths in Chicago had a powerful impact across the world, not least on Jim Connell who was inspired to write 'The Red Flag' anthem in 1889 on a train to New Cross - he was living at 408 New Cross Road at the time (he later lived at 22a Stondon Park SE23).

The movement for a shorter working day did not die with those who became known as the Chicago Martyrs. In December 1888 the American Federation of Labour called for a national day of demonstrations and strikes on 1 May 1890, and this call was echoed in July 1889 by the international socialist conference in Paris. So it was that from 1890 May Day became an annual international festival of working class solidarity.

The 1890s

In London, May Day 1890 was marked by a huge demonstration in Hyde Park, a venue that was to become the focus for May Day protests for many years to come. May 1st 1890 actually fell on a Thursday, and saw London anarchists holding a meeting at Clerkenwell Green. The main demonstration took place on the following Sunday - May 4th - and saw contingents heading towards Hyde Park from all over London. A description from the South London Press of the attendance of the North Camberwell Radical Club and Institute' provides an insight into how local groups organised themselves for the march:

‘A goodly contingent went from this club to take part in the monster eight-hours demonstration. The procession was headed by the club's excellent band, which discoursed some well-chosen music on the way. A large banner followed, bearing the device in front, 'The Proletariat Unite', and on the reverse side the legend, 'Eight hours' work, eight hours' pay; Eight hours' rest, eight bob a day'. Mr Oodshorn devised and executed the banner, which was very effective. Mr J. Harrison (chairman of the club) headed those who marched in front, and Mr. H.J. Begg accompanied the contingent until it took its place in the general ranks. Two breaks followed the pedestrians - one full of ladies, and one containing those of the sterner sex who were not equal to a four-hours march on a warm day. Messrs. Benstroke and J.Sage (chairman of the Political Council) acted as marshalls. The breaks, which added greatly to the effectiveness of the procession, were under the charge of Mr A. Boreham (chairman of the Entertainment Sub-Committee). The contingent arrived in the park in time to hear some good speaking from No.7 Platform, and afterwards Mrs Besant's stirring speech from the Socialists' platform. The whole affair was excellently managed, and good humour and good order prevailed throughout’ (South London Press, 10 May 1890).

The next few years saw this route being repeated. In 1891, the North Camberwell Radical Club was again said to have been busy in preparing for the 8 hours demonstration in Hyde Park (SLP 25 April1891). The Club was based in Albany Road.

In 1892 a crowd estimated between 300 and 500,000 marched from Westminster Bridge to Hyde Park, with 350 banners and 110 bands. An observer reported that 'The great staple industries of London, the dockers, the stevedores, the coal-porters, the gas-workers... railway workers, and so on, came first: and then a whole host of miscellaneous trades, led by little Jew cigar and cigarette-makers from the East End... The Workgirls… were in great force. The chocolate-makers had a smart little wagonettte all to themselves, from which they dispensed 'Union Chocolate' in penny packets' matchgirls’. Those present included Bernard Shaw, Tom Mann and Louise Michel (all of whom spoke), Eleanor Marx and the elderly Frederick Engels.
The crowd was so large that 'the South London contingent, led by John Burns, never got in at all, and it turned sadly back without a chance of attending the meeting. In a word, London has never seen such a gigantic turn-out of the forces which create her wealth' (Penny Illustrated Paper, 7 May 1892)

Crystal Palace and Walter Crane

The turn of the new century saw the main May Day event moving to South London at the Crystal Palace. The Palace had been hosting May Day celebrations for many years. In the 1850s, William Husk of the Sacred Harmonic Society had helped recreate a Tudor-style May game there. On May Day 1866 'a great concert of five thousand voices was given by children and others connected with the metropolitan schools... Ethardo [a circus performer] also reappeared, his lofty pole being converted into a gigantic maypole. On the following day Mr Charles Dickens kindly undertook to give a reading of Little Dombey' (PIP 5 May 1866). In 1898 a 'Crystal Palace May Day Festival' had included 'May-Day Sports and Maypole dance' with a programme featuring 'the Clan Johnson, Scottish Dancers and Champion Pipers and an Old English Maypole Dance' as well as a 'Grand May-Day Concert' featuring 'madrigals by the Crystal Palace Choir' (advert in the Times, 1 May 1899).

May Day 1900 was different in tone. The Times reported that 12,000 took part, including 'about 150 associations connected with the Social Democratic Federation and London Trades Council'. Six platforms were set up and the resolutions carried included one asserting 'their determination to overthrow wagedom and capitalism, and to establish by united efforts that international co-operative commonwealth in which all the instruments of industry will be owned and controlled by the organized communities and equal opportunity be given to all to lead healthy, happy human lives' (Times, 2 May 1900).

The event did though include more traditional May Day elements alongside the socialist speeches: ‘There was a procession at half past two, and meetings at 3 o'clock. There were also cycling and athletic sports, a Maypole dance and other attractions. The programme concluded with a display of fireworks by C.T. Brock & Co., including a special set Labour piece by Walter Crane' (South London Press, 5 May 1900). Other attractions of the 'International Labour Festival' included a variety show and a performance of Bernard Shaw's 'Widowers' Houses' (advert in Times, 1 May 1900).

The artist Walter Crane recalled: ‘Labour's May Day, which has become an international festival in the Socialist movement, was this year celebrated at the Crystal Palace, which certainly afforded plenty of space for the gathering, as well as entertainment and refreshment in the intervals of the functions. A vast meeting was held under the dome, and this was addressed by many of the leaders, such as Mr. H. M. Hyndman, Mr. G. N. Barnes, Secretary of the Amalgamated Engineers (and now in Parliament), Mr. Pete Curran, Mr. Ben Tillet, and many others. I made a design for a set piece for the firework display which was carried out on a gigantic scale and with remarkable success by Messrs. Brock. It was a group of four figures, typifying the workers of the world, joining hands, a winged central figure with the cap of Liberty, encircled by the globe, uniting them, and a scroll with the words ‘The Unity of Labour is the Hope of the World’. It was the first time a design of mine had been associated with pyrotechnics. I was rewarded by the hearty cheers of a vast multitude'.


'Labour's May Day' by Walter Crane


The eight hour day was achieved for many workers through strikes in that period, such as the 1889 gas workers strike. So as you enjoy your Monday off work spare a thought for the people who through their efforts brought us shorter working days, weekends and many bank holidays.

Sunday, May 05, 2013

Harry Haward

Nice piece by Celia Topping in last week's Time Out London magazine about Resonance FM, broadcasting its eclectic mix from Borough High Street to the capital. Among the contrbutors interviewed is Harry Haward of DAGE (Deptford Action Group for the Elderly):

''Nice to meet ya,’ growls Harry Haward. His gnarled hand encloses mine in a powerful grip. For an 80-year-old, he does a pretty good line in intimidation. So he should: Haward is a former mucker of the Krays’, an ex-boxer, an ex-jailbird (‘I tried to do a coupla banks but wasn’t no good at it’) and now a broadcaster. In fact, he is mid-broadcast or, more accurately, mid-tirade – a scourging rant directed at Health Secretary Jeremy Hunt for his plans to downgrade Harry’s local A&E department at Lewisham Hospital. ‘You should be ashamed of yourself, Hunt,’ he spits. ‘You’ve got two weeks to do something about it, or we’ll come round your house… and I’ll hit you so hard you’ll be nicked for speeding!’ Magic FM this is not.

Harry’s robust style of broadcasting on his show ‘Calling All Pensioners’ is typical of Resonance FM’s approach to radio. As ‘the world’s first radio art station’, Resonance has provided audio snapshots of real London and real Londoners for 11 years. Uninterrupted by adverts, traffic and weather reports, news bulletins, tired playlists and tireder DJs, it truly is a broadcaster for the people, with all their quirks, passions and oddities...'  

   
You can listen to 'Calling all Pensioners' at Resonance FM's archive.

Saturday, May 04, 2013

NXD Free Film Festival closing weekend

It's the last weekend of the New Cross and Deptford Free Film Festival 2013, and there's lots to do. Today's events include

13.00 h - Function and Purpose at Old Tidemill School  SE8 - an afternoon of workshops and short films inspired by the counter-cultural bible the Whole Earth Catalogue.

14.00 h - Cinema Paradiso at London Theatre

14.00 h -Circus at Sanford Housing Co-op (Cold Blow Lane SE14): a 2010 film looking behind the scenes at New York's Big Apple Circus. Plus there willl be a juggling/circus skills workshop and live music in Sanford's garden from 4 pm.

19.30 h - Tulennielija (Fire Eater) Sanford Housing Co-op

20.00 h - ET in Telegraph Hill Upper Park - a cycle powered showing complete with great sunset view of the London skyline.

Full details here.

Friday, May 03, 2013

Peckham Dolehouse Revisited

Tonight (Friday 3rd May) the spirit of late1980s/early 1990s London squat culture will reappear at the Peckham Palais, 1 Rye Lane SE15 with 'The Dolehouse Reunion'.



The Peckham Dolehouse was a famous squat that ran from Spring 1989 to October 1990 in an empty Department for Health & Social Security building in Collyer Place off Peckham High Street (the buiding still stands by Peckham Lidl).

The Dolehouse Crew and Green Circus put on many gigs and parties. As recalled by John Heathcote: 'Downstairs, in the signing on office where the booths still lined the far wall, would be a selection of DJs playing everything from ambient dub to banging Techno, and upstairs would be the live area, followed at about 3 or 4 a.m. by dance floor DJ's. The venue acted as a catalyst for the many diverse elements of urban and traveling culture under threat from the Tory laws on everything from squatting to free assembly'.

Bands who played there included RDF, One Style MDV, Ruff Ruff n Ready, Snapus, The Levellers, Back to the Planet, The Sea, Dread Messiah, Suicidal Supermarket Trolleys, BTF, Citizen Fish, Tottenham AK47's, The Fatcats, Poisoned Electrick Head, Ululators, Moksha, Arriba Mundi, Dave Howard Singers, 7 Kevins and Bulbous Skunk Cabbages, to name but a few.
Viva La Dole House badges

Some of these bands  became massive for a while in the so-called Crusty scene, particularly Brighton's The Levellers who played at the Dolehouse. Of the South London bands, Peckham's Back to the Planet had the most success - remember seeing them headline at the Camden Palace (now Koko). Ruff Ruff & Ready supported The Stone Roses at the legendary 1990 Spike Island gig.

The Dolehouse was also one of the places that  paved the way for the 1990s free party scene, which was much more sound system than band based. Back to the Planet's drummer Henry Cullen went on the help develop the London Acid Techno sound (along with the Liberator DJs and others) as D.A.V.E the Drummer.

The first party at The Dolehouse, 10 June 1990 complete with vegan cafe and bands
(I believe the Seven Kevins played)

The Dolehouse, 31st March 1990, with bands including The Levellers, The Sea, Wat Tyler and Suicidal Supermarket Trolleys.  The promised 'chill out lounge' was no doubt much needed after a long day of rioting - that was the day of the Trafalgar Square Poll Tax riot.

Anyway tonight there's a Dolehouse Reunion at the Peckham Palais put on by Reknaw and Virus Sound Systems with some of the key bands from the Dolehouse days, including Back to the Planet, The Sea, RDF and Dread Messiah. It's £12 on the door (facebook event details here - from where most of the photos here have been sourced)


Many of these bands also played at the 1990s Deptford Urban Free Festivals in Fordham Park

Thursday, May 02, 2013

Noah and the Whale at the Rivoli

Latest in the never ending saga of the Rivoli Ballroom in Crofton Park - Noah and the Whale performing their new song Lifetime in a new promotional film featured in the the Telegraph.





Wednesday, May 01, 2013

May Day in South London: free pamphlet

For May Day 2011, Past Tense published my pamphlet, 'May Day in South London':

'For centuries people have been celebrating the height of Spring, and the first signs of Summer, at the beginning of May. This pamphlet examines the diverse ways they have done so in London South of the Thames. It is a story of milkmaids, chimney sweeps, kings, socialists, pagans, Christians, school children and anarchists...

...includes the stories of Walworth and Bromley May Queens, May Games in Greenwich Park, the Deptford Jack in the Green, demonstrations in Bermondsey and Woolwich, Horse Parades on the Old Kent Road, Maypoles in Kennington and  St Mary Cray, festivals on Clapham Common and at Crystal Palace, and much more besides'.

Contents include:

- Ancient Festivals
- The Merry Month of May – Middle Ages to Puritans
- Milkmaids, Chimney Sweeps and the Jack-in-the-Green
- Reinventing May Day in Victorian times
- The Workers’ May Day: origins to 1930s
- The Workers’ May Day After the Second World War
- The Counter-Culture and the Folk Revival
- Anti-Capitalist May Days
- 21st Century May Day


The printed version sold out shortly after May Day 2012, so in the spirit of May Day abundance I am making a pdf version of the full 50 page illustrated version availabe as a free download. You can get it here: https://www.box.com/s/49xcuwqxrba3wwldy33f    
 

Tuesday, April 30, 2013

Happy May Day

The Fowlers Troop/Deptford Jack in the Green will be out doing their traditional May Day procession on May 1st, details as follows:

12.00 Depart from Dog and Bell, 116 Prince St London, Deptford SE8 3JD.
(pub will open at 11.00),

12.45 Rose and Crown, 1 Crooms Hill, Greenwich, London SE10 8ER,

13.45 Star and Garter, 60 Old Woolwich Rd, Greenwich, London SE10 9NY,

14.25 Plume of Feathers, 19 Park Vista London, London SE10 9LZ,

15.25 Richard I (the Tolley), 52/54, Royal Hill, Greenwich, London, SE10 8RT,

16.10 Ashburnham Arms, 25 Ashburnham Grove, Greenwich, London SE10 8UH.


Doug Adams

Doug Adams (left, on the accordion)
Photo from Francis Sedgemore
This will be their first year since the death last September of their musical stalwart Doug Adams, remembered as follows in The Guardian:

'Doug Adams, who has died of cancer aged 60, was the lead musician at the Deptford Jack in the Green. This traditional event, last seen in Deptford around the end of the 19th century, was revived in the early 1980s. The Jack in the Green, a large leaf-covered framework decorated with flowers, is carried through the streets on May Day, accompanied by a band of attendants and musicians. Doug also played melodeon for several morris teams in south-east London as well as leading bands and playing at English traditional music sessions.

Originally from Bratton Clovelly, Devon, Doug arrived in Greenwich in the mid-1970s after taking an applied physics degree at Lanchester Polytechnic (now Coventry University). He had a love of English traditional music which, at the time he started playing, was not as well known as Irish traditional music.

Doug had learned piano and recorder as a child, then switched to piano accordion and finally the melodeon. It was as a melodeon player that he joined his first morris team, Greenwich Morris Men, in the late 1970s. While pursuing his other great interest at the time, re-enacting civil war battles with the Roundhead Association, he broke his leg very badly, but continued as a musician, first using a wheelchair and then on crutches.

Doug then joined Blackheath Morris Men and gradually became their main musician. One of their enterprises in the early 1980s involved the revival of the Deptford Jack in the Green for which Doug was musician on the first and then most of the subsequent outings on May Day each year including 2012. Doug played regularly at English music sessions at the Horseshoe Inn, near London Bridge, and the Lord Hood in Greenwich as well as at the Sidmouth and Dartmoor folk festivals'

Sunday, April 28, 2013

Hilly Fields Parkrun

A while ago I got the running bug back for the first time since I was at school and got in the cross country team as a result of keeping going to avoid the bullies who always stopped off on the course for a smoke and some mindless violence.

I started off last year with the NHS 'Couch to 5k' programme, a series of podcasts that take you gently from a 'walk 5 minutes, run 2 minutes' start through to running continuously for half and hour. If you can't imagine yourself being able to run 5 km without a break I really suggest giving this a go - you can also have fun trying to work out which artists are being pastiched in the music specially recorded for the podcasts.

There's a solitary dimension to running, 'The Loneliness of the Long Distance Runner' and so on, going off into your own private world or perhaps into a kind of nothingness: 'really as I run, I don't think much of anything worth mentioning. I just run. I run in a void. Or maybe I should put it another way: I run in order to acquire a void' (Haruki Murakami, What I talk about when I talk about running).

But running is also a social activity- after all almost two million people are estimated to run regularly in England alone. Whether you are interested in competition or not, running with other people is not only enjoyable but also raises your own game. And the easiest way into running like this is through the parkrun phenomenon - weekly timed runs in parks all over the country. Locally there are regular park runs in Hilly Fields, Crystal Palace Park, Dulwich Park, Greenwich Park, Burgess Park and Brockwell Park, among others.

You don't have to join an athletic club, you just go on to the Parkrun website and register once. You can then take part in parkruns anywhere.

You don't have to book in advance - just turn up and run.

You don't have to be superfit - the runs are for people of all levels of ability. There are club runners who tear off in front and others who run steadily at their own slow pace.

You don't have to pay any fees, either to register or take part in a run.

You do get a properly organised run, with a marked out course, volunteer helpers and timing of your run. How it works is that when you register with Parkrun you are allocated a barcode which you print out. As you cross the line at the end of the run you are given another barcode token which is linked to your finishing time. You then get this token and your personal barcode scanned on the spot, which generates a list of runners and times published on the website very soon afterwards.

I took part in the Hilly Fields run for the first time at the weekend and will definitely be going back. The course is three times round the park, the uphill bits are tough of course but they are balanced by the downhill sections! They meet every Saturday at 9 am near to the children's playground, with around 100 people taking part. Many people have a coffee afterwards at the Pistachios cafe in the park.

Get fit for free with coffee and trees - what's not to like?


Saturday, April 27, 2013

Free Park Films

New Cross and Deptford Free Film Festival has now started, and tonight's big bike-powered movie is Skyfall in Fordham Park at 8.00 pm, featuring of course the famous New Cross and Deptford scenes. Forecast is that any afternoon rain will have cleared by then so don't worry about the weather - anyway last year's Fordham Park event went ahead despite heavy showers.




Next Saturday 4th May, E.T. is being shown in Telegraph Hill Park


Lots more free events - programme here

Wednesday, April 24, 2013

Made in Lewisham: 100 years of Cinema

New Cross and Deptford Free Film Festival features an illustrated talk 'Made in Lewisham - 100 years of Cinema' with Neil Gordon-Orr. The talk will focus on New Cross, Deptford and Brockley in particular, looking at the places where people have watched films and the places films have been made in. Basically a visual tour of lost cinema buildings combined with a guide to local film locations, with film clips and photos.

Tuesday 30 April 2013, 8 pm (doors open 7:30 pm) at the Hill Station Cafe, Kitto Road, SE14.
Admission Free.

Tuesday, April 23, 2013

'Mad Tracey from Croydon'

I used to love Tracey Emin. Her breakthrough exhibition at the South London Gallery in Camberwell 'I need Art like I need God' (way back in 1997) really blew me away, and I still think that she has brought some material into the art world boys club that has rarely found expression there before - young women's sexuality, abuse, abortion and growing up in unfashionable places: a 1999 documentary about her was famously titled 'Mad Tracey from Margate' (though we might note that she was actually born in Croydon May Day Hospital in 1963).

More recently she has become a bit of an embarrassing celeb, moaning about high taxes and, horror of horrors, publically admitting to voitng Tory in the last election (though she has subsequently criticised their art education policy). She has joined that select club with Morrissey and Jeanette Winterson of people whose younger selves' influence on my younger self can't be erased by their later baleful utterances - I guess you can't complain too much if you are drawn to professional contrarians and they end up acting in ways contrary to your own expectations of them.

I might not like Tracey Emin in her current guise,  but I can still admire the version of her who recalled walking through the Elephant and Castle in 1990 when Margaret Thatcher stood down as Prime Minister: 'I looked up at the buses, and people were banging on the windows and going 'Yeah!' And I noticed people were jumping up and down in the street...People looked so happy. I felt absolute jubilation' (quoted in 'Margaret Thatcher' by John Campbell, 2004).

As a homeless teenager, she ended up being  housed in Waterloo after six months of daily hassling Southwark Council . Later, she had a studio somewhere round the Elephant around 1990 though I'm not sure exactly where. In that period she worked for Southwark Council as a youth worker for a couple of years, and in 1992 she met her sometime collaborator Sarah Lucas when the latter had  an exhibition,'A penis nailed to a board', at City Racing - a former betting shop near the Oval (in a funny interview a couple of years ago, Lucas pointed out that she actually was a working class artist from a London council estate, whereas Emin's dad was a sometime businessman - not that Emin didn't have some very hard times).

 Emin has a new book out, My Photo Album, with some of the proceeds going to the no longer fashionable HIV charity The Terrence Higgins Trust. And I will also give her additional points for once donating some drawings to one of my favourite charities, Celia Hammond Animal Trust (of Lewisham Way, Canning Town and Hastings), from where we once secured two lovely cats - well nobody ever manages to come out of there with just one.

Come on Tracey, there's still time to dismiss those Cameron fan club moments as a terrible mid-life crisis and to grow old disgracefully.

Tracey Emin in her Elephant and Castle studio, 1990

World Book Night

Tonight is World Book Night, a nationwide celebration of the reading, recommending and giving of books. The recently revamped Lewisham Library will be hosting an after-hours book party, with special guests including Blake Morrison, Sarah Mussi, Nii Ayikwei Parkes and Lydia Syson, along with Sandra Agard. The theme for the night is ‘you should read…’ with each of these speakers telling of writing they love. Other readers are also invited to bring along a 'used' book to gift and to tell people about it.

The events starts at 8pm and is free to attend - but booking is essential as priority will be given to World Book Night gifters. Bookings can be made in person at the library, by calling 020 8314 8430 or via libraries@lewisham.gov.uk.

There's also an event at New Cross Learning (previously known as New Cross Library). They say: 'This coming April 23 is World Book Night and this year we are very proud to have been selected as “book givers”. We have 80 free copies of Philippa Gregory’s “The White Queen” to give away. To get your free copy all you have to do is come to the library on the 23rd between 5pm-7pm. There will be a performance of Spoken Word by local poet ‘Jazzman’ John Clarke, live music, plus our Extreme Reading and National Poetry Month exhibitions are still on display. Light refreshments will be served. It promises to be a fantastic evening so please come early and secure your copy! FREE'.







Monday, April 22, 2013

Goldsmiths and Lewisham: Shared Histories

'Goldsmiths & Lewisham: Shared Histories' is an exhibition opening this week in New Cross and Deptford with the aim of 'exploring the intertwined histories of Goldsmiths and its local community' via 'an insight into the area as a centre of creative work over the past century'. It will run from 24 April to 3 May 2013 across four sites:  Goldsmiths' New Academic Building and 310 New Cross Road, New Cross Learning, and The Albany in Deptford.

The collaborative exhibition has organised by the Department of Visual Cultures at Goldsmiths, in partnership with the Goldsmiths Art Collections and the Lewisham Local History Society, with funding from Arts & Humanities Research Council Cultural Engagement Fund. I am looking forward to it - both Goldsmiths and the Lewisham Local History Society have extensive archives which they don't have the space to publically display. The four parts of the exhibition are as follows:

- 'The New Pastoralists: A selection of etchings from the Goldsmiths Collection, inspired by the Romantic artist Samuel Palmer, produced by a group of printmakers based at the College in the 1920s. These artists enjoyed great success in that era in which etchings were in high demand, and some stayed on to teach at Goldsmiths for many years. Artists on display include: Edward Bouverie-Hoyton, Paul Drury, William Larkins, Graham Sutherland, and Robin Tanner. On display in the Weston Atrium, lower ground floor, New Academic Building; opening times 11am-6pm'.
'After Work' (1926) by Paul Drury. Drury was born in Brockley in 1903, attended Goldsmiths in the 1920s and later taught there, becoming the Principal for a period in the 1960s.  He was one of the artists in the 1920s  associated what became  known as the Goldsmiths School or New Pastoralists, who made prints influenced by the work of Samuel Palmer (who grew up off the Old Kent Road). They were initially inspired by 'Fred Richards, a tutor at Goldsmiths, [who] had given a lecture, with slides, on 19th century etching, which included Palmer’s ‘Herdsman’s Cottage'. The best known of the artists from this group was Graham Sutherland (see example of his work from The Dark Monarch exhibition).


- 'Art, Education, Activism: Artefacts drawn from Goldsmiths' holdings of the Rachel McMillan College collection, emphasising the local work of Margaret and Rachel McMillan [see previous Transpontine post], activists at the turn of the century who were highly influential in state provision for the education of children, and Goldsmiths' inheritance of this legacy. This installation will also include a pop-up reading room, and additional works related to Goldsmiths' active history in the promotion of arts education. On display at 310 New Cross Road; opening times 11am-6pm.

- Lewisham Life: Making & Using: A jointly-curated installation by the Lewisham Local History Society that draws from the Borough's history as a manufacturing centre, integrating objects that were made here into a thematic display based on daily life here, addressing the home, work, and leisure. On display at New Cross Learning, 283-285 New Cross Road; opening times Tues 10am-5pm, Wed-Thurs 10am-7pm, Sat 10am-5pm.

- Made in New Cross: A snapshot of the present with a theatrical installation of a selection of works acquired through the annual Warden's Art Purchase Prize made by Goldsmiths students that have studied and worked as cohabitants of the Lewisham community. On display at The Albany, Douglas Way, Deptford; opening times Mon-Fri 9am-6pm, Sat 10am-3pm'.